A Word From The New Yorker

"The clarinet basically died out as a leading jazz instrument after the bebop onslaught of the mid-forties, but a player like Peplowski makes you wonder why. With a tone like finely woven silk, wondrous technical agility, and an itching curiosity that encompasses the stylistic breadth of mainstream jazz, Peplowski can take his outsider horn in any direction he cares to. (He plays a galloping tenor saxophone as well.) Here, Peplowski lands himself in luxury by approaching both classic and overlooked work from the heyday of American popular song." - Steve Futterman, The New Yorker, November 1, 2018